By Karen Johnson, Lynn Gordon
Filled with artistic feedback for either indoor and outdoors actions, this illustrated deck will offer idea whilst boredom moves. test Treasure Hunt, mystery Writings, technological know-how Cubes, and Nature Wind Chimes. excellent for any day—rain or shine—these playing cards will hold children engaged and entertained.
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Steve! ” He picks up the receiver. “Hello? Yes? . Oh no, that was today? Oh, fuck. What time is it? . Ah, shit! Yeah, you better. I’ll leave right now. Tell her, tell her that we just concluded negotiations, that I’m on my way. . Yeah, it looks like the Miramax thing is . . Yeah. Everything that we wanted. . Everything. Yeah. Yeah. ” He jumps up and then looks down at himself. Most of the time he wears what he calls his “arty, pretentious filmmaker garb”—jeans, a black T-shirt and a long black cotton coat—but today the T-shirt has been replaced by a white one bearing the words SEX, LIES, AND VIDEOTAPE.
Steven Soderbergh has a pile of phone messages. Sydney Pollack’s been calling for weeks. Demi Moore has invited him to lunch at the Ivy. Taylor Hackford called from his car phone. David Hoberman, the president of Walt Disney Pictures, wants to set up a meeting. , Columbia, and Universal. Soderbergh sees no point in returning the call from Don Simpson and Jerry Bruckheimer, the producers of Beverly Hills Cop. ” A year ago, Soderbergh couldn’t have gotten these people to look at him sideways. Then he was just some twenty-five-year-old kid come to Hollywood with six unproduced screenplays and a director’s reel of fourteen-minute films he’d made in his home town of Baton Rouge, Louisiana.
That’s absurd,” he says. ” He’s feeling guilty, too, about the distribution deal that’s been made for his movie. Miramax Films had promised to pay $100,000 over the highest bid, but then Island Pictures weighed in with an extremely generous $1 million for the distribution rights, plus $1 million to be spent on advertising. The only problem was that Island expected Soderbergh and his producers to split any promotional costs above that. So they went back to Miramax and offered to wave the extra $100,000 in exchange for Miramax’s picking up the tab for all the advertising.
52 Series: Boredom Busters for Kids by Karen Johnson, Lynn Gordon